HALFWAY BITCHES GO STRAIGHT TO HEAVEN
Month: December 2019
Halfway Bitches Go Straight to Heaven.
“Halfway Bitches” is a female “Iceman Cometh” for the 21st century, but watching it doesn’t feel like five hours — or even three. You may feel you’ve had just enough time to get to know, and care about, these women. Guirgis ends with a simple line that all New Yorkers hear half a dozen times a day on the street. After seeing Guirgis’ play, you will never look at that homeless person quite the same way.
La MaMa announced today full casting for The Trojan Women, part of its 58th season celebrating the centennial of La MaMa’s celebrated founder, the late Ellen Stewart. Directed by Andrei Serban and composed by Elizabeth Swados, The Trojan Women will take place December 6, 2019 through December 15, 2019 at La MaMa ETC (66 East 4th Street).
Amelia Workman will star in Theatre for a New Audience’s production of Fefu and Her Friends. Final performance 12/12
Best Lists: ‘When They See Us’ (Netflix) Ava DuVernay’s striking miniseries gives voice to the so-called Central Park Five, a group of five black and Latino youths wrongly convicted of assault in one of the biggest trials of the 1980s. With an extremely talented group of young actors as the falsely accused adolescents – Asante Blackk, Caleel Harris, Ethan Herisse, Emmy-winner Jharrel Jerome and Marquis Rodriguez – the series brings the story to the screen as a brutal, unrelenting tragedy.
PERNELL WALKER
Making the years best list:‘Vida’ Melissa Barrera, Mishel Prada, Ser Anzoategui, Chelsea Rendon Carlos Miranda, Maria-Elena Laas, Roberta Colindrez LGBTQ+-friendly series about a Mexican community in California an intoxicating collection of woke, sexy, and hilarious tales woven together in intriguing ways.
‘Is This a Room’ A pause-for-pause, cough-for-cough rendering of the F.B.I. transcripts of the first interrogation of the federal contractor Reality Winner, who is now serving a more than five-year sentence for whistle-blowing. The director Tina Satter turned this exercise in theater vérité, in which the blandest conversational clichés come loaded with unspecified menace, into a Kafka-like nightmare with a tension level worthy of Hitchcock. And as the beleaguered, unwittingly self-sabotaging Winner, Emily Davis gave one of the season’s most riveting performances.
Their host is the splendid nonconformist Fefu (Amelia Workman), a vision in a Louise Brooks bob and tawny banker’s vest, who shocks some of her guests with her swaggering riotousness. She provocatively calls women “repulsive,” though she then explains that she’s fascinated by the “underneath” of things where the slimy insects live. And her favorite game is to fire a shotgun at her unseen husband, who then must fall down wherever he is. It’s a blank cartridge, Fefu thinks, though who can be sure? “He’s up!” she cries merrily, looking down the lawn, after the thunderclap of the gun. If Workman hadn’t taken the part, their second choice was probably the ghost of Katherine Hepburn.
Fefu and her friends has been extended til 12/12 Theater for a New Audience
The Walker Art Center
IS THIS A ROOM JAN 9-11
THIS BRIDGE CALLED MY ASS JAN 16-18